El perro del hortelano teatro

El perro del hortelano summary

Key Ideas: Interference – Trades Meaning: Reprimands someone who does not enjoy something and also prevents others from doing it.Usage Marker: In current useCommentary on usage marker: Often only the first part is said (El perro del hortelano) and the second part is taken for granted; sometimes a mere comparative allusion is made: (Es) como el perro del hortelano.Sources: Oral sourceObservations: Its origin may be Arabic-Andalusian, as it appears documented in Arabic-Andalusian literature from the early 11th century. This proverb gives title to a play of the Golden Age, a comedy elaborated between 1613 and 1615 by Félix Lope de Vega y Carpio (1562-1635). In 1996, Pilar Miró made it into a film, maintaining the Spanish of the time and with Emma Suárez and Carmelo Gómez in the main roles. The film won seven Goya awards.

El perro del hortelano movie

El perro del hortelano is a palatine comedy by Lope de Vega, published in the Oncena parte de las comedias de Lope Félix de Vega Carpio in Madrid, in 1618 under the personal care of the author himself. It comes from an idiomatic expression: «Ser como el perro del hortelano, que no come ni deja comer»; the dog is a non-vegetarian animal that does not eat the vegetables from his master’s garden, but does not let the other animals eat them. The whole sentence refers to the plot of the play and means that Countess Diana cannot love Theodore and therefore, she does not let him love or be loved by anyone else.

Diana writes a love letter and as if it were from a friend, she gives it to Teodoro and asks him to answer. The servant, seeing that he has a chance with the Countess, rejects Marcela, who, out of revenge, goes with Fabio. A few days later the Countess rejects Teodoro and receives her two suitors, Count Federico and the Marquis Don Ricardo, choosing her future husband. Teodoro, indignant at having been rejected by Diana for nothing, tries to return to Marcela, who rejects him, claiming that she is with Fabio. But the two end up reconciling quickly, while the Countess Diana is spying on them.

El perro del hortelano questions

El perro del hortelano is a palatine comedy by Lope de Vega, published in the Oncena parte de las comedias de Lope Félix de Vega Carpio in Madrid, in 1618 under the personal care of the author himself. It comes from an idiomatic expression: «Ser como el perro del hortelano, que no come ni deja comer»; the dog is a non-vegetarian animal that does not eat the vegetables from his master’s garden, but does not let the other animals eat them. The whole sentence refers to the plot of the play and means that Countess Diana cannot love Theodore and therefore, she does not let him love or be loved by anyone else.

Diana writes a love letter and as if it were from a friend, she gives it to Teodoro and asks him to answer. The servant, seeing that he has a chance with the Countess, rejects Marcela, who, out of revenge, goes with Fabio. A few days later the Countess rejects Teodoro and receives her two suitors, Count Federico and the Marquis Don Ricardo, choosing her future husband. Teodoro, indignant at having been rejected by Diana for nothing, tries to return to Marcela, who rejects him, claiming that she is with Fabio. But the two end up reconciling quickly, while the Countess Diana is spying on them.

El perro del hortelano en español

Escrita por Lope de Vega entre 1613 y 1615, esta obra se inspira en las comedias aristocráticas y urbanas. Ofrece una excelente caracterización, un bello fraseo y una estructura muy original. El perro del hortelano cuenta una historia aparentemente sencilla, la de una mujer, Diana, la condesa de Belflor, que se enamora de un hombre de origen humilde, su secretario Teodoro. El honor, la esperanza, la audacia, la ambición de ambos y el desengaño siguen su curso hasta llegar a un desenlace inesperado.

Reparto: Rafa Castejón, Joaquín Notario, Marta Poveda, Álvaro de Juan, Óscar Zafra, Nuria Gallardo, Alba Enríquez, Natalia Huarte, Paco Rojas, Egoitz Sánchez, Pedro Almagro, Aleix Melé, Alberto Ferrero, Fernando Conde

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